# Night Sky & Milky Way Photography in the Annapurna Region
Why the Annapurna Region Is a Dark-Sky Paradise
The Annapurna region sits at the crossroads of some of the clearest, driest air on Earth and a near-total absence of artificial light. Pokhara, the gateway at 822 m, is a small lakeside city, but once you walk a day or two beyond the valley the night sky opens into a dome of stars that most travellers from Europe, North America, or East Asia have never seen with the naked eye. The high Himalaya acts as a natural barrier to humid, light-polluted air masses, and the thin atmosphere at altitude scatters less light. On a moonless night above 3,000 m the Milky Way is not a faint smear but a textured band of glowing dust, dark nebulae, and thousands of individual stars you can trace from horizon to horizon.
What makes this region special for astrophotography is the combination of accessible trailheads and genuinely dark camps. You do not need an expedition permit or a week of driving to reach a good vantage point. Poon Hill at 3,210 m is a half-day walk from Ghorepani, and Annapurna Base Camp at 4,130 m sits in a natural amphitheatre of peaks that frame the sky. Rolling Adventure Holidays runs both routes, and our guides know exactly which lodges have the cleanest western horizons for the galactic core. If you are planning a dedicated shoot, read our [dedicated night-sky guide](https://annapurnacircuittreks.com/night-sky-milky-way-annapurna/) and pair it with the [Ghorepani Poon Hill trek](https://annapurnacircuittreks.com/ghorepani-poon-hill-trek-guide/) for the easiest dark-sky access.
Understanding the Sky Above the Himalayas
Altitude changes how the sky looks. At 4,000 m there is roughly 40 percent less atmosphere above you than at sea level, which means sharper stars, deeper blacks, and noticeably more contrast in the Milky Way. The thinner air also holds less humidity, so there is less atmospheric glow near the horizon. Trekkers who live near sea level are often startled by how three-dimensional the galaxy appears once the core rises over the Dhaulagiri and Annapurna massifs.
There is a trade-off. The same thin, dry air that gives you a clean sky also radiates heat quickly after sunset, so nights at altitude are cold – often well below freezing above 3,500 m even in autumn. Cold is friendlier to camera sensors – less noise – but brutal on batteries. Understanding this balance is the first step to a successful shoot, and it is why we time our astronomy treks to the driest, most stable windows of the year. The [weather-by-altitude guide](https://annapurnacircuittreks.com/annapurna-weather-by-altitude/) explains how temperature and clarity shift as you climb.
Best Seasons for Milky Way Viewing
The galactic core – the bright, busy centre of the Milky Way – is only visible from roughly February through October from the Northern Hemisphere, and it is highest and most detailed in the pre-dawn hours of spring and the evening hours of late summer. In the Annapurnas the practical windows are two: spring (March to May) and autumn (October to November).
Autumn is the standout. After the monsoon washes the atmosphere clean, October and November bring stable high-pressure systems, low humidity, and crystal nights. The core is well placed in the southern sky after midnight. Spring is nearly as good, with rhododendrons lighting the lower forests and the core rising earlier each night. Both seasons are covered in our [autumn peak-season notes](https://annapurnacircuittreks.com/autumn-in-annapurna-peak-season/) and [spring rhododendron guide](https://annapurnacircuittreks.com/spring-in-annapurna-rhododendrons/). Avoid the deep-winter core gap and the cloud-heavy monsoon unless you are happy shooting star trails and the broader winter constellations instead.
The Monsoon Risk and Cloud Cover
June through September is the Indian Ocean monsoon. The Annapurna range catches enormous moisture on its southern flank, and the result is weeks of cloud, daily rain at low elevation, and a white wall of mist above 2,500 m. For night photography this is the worst time: the galactic core is largely up during daylight or buried behind cloud at night, and leeches, landslides, and leeches make trails unpleasant.
There are exceptions. The rain shadow of the north – the Manang and Mustang side beyond the main crest – stays comparatively dry even in monsoon, which is why the [Annapurna Circuit with Tilicho Lake](https://annapurnacircuittreks.com/annapurna-circuit-with-tilicho-lake-trek/) and the rain-shadow passes can still deliver clear nights when Pokhara is soaked. But for a first dark-sky trip, plan around autumn or spring. Our [monsoon quiet-trails guide](https://annapurnacircuittreks.com/monsoon-in-annapurna-quiet-trails/) explains where the rain shadow sits if you must travel in summer.
Moon Phase Planning – New Moon Windows
The single biggest factor in Milky Way photography is the moon. A full moon washes out the galactic core completely; even a half moon raised above the horizon will flatten contrast. You want to shoot within four or five days of the new moon, when the sky is darkest for the longest stretch after astronomical twilight.
Our guides plan departures around the lunar calendar. A typical rhythm: arrive at your high viewpoint two days before new moon, shoot the rising core in the evening, then stay for the post-new-moon window when the core is visible earlier and the sky stays dark until dawn. This is why fixed-departure astro treks are scheduled months ahead. If your dates are fixed, tell us and we will pick a route and campsite whose western horizon catches the core during your dark window – the [month-by-month planner](https://annapurnacircuittreks.com/best-time-trek-annapurna-month-by-month/) helps you see which weeks line up.
Top Milky Way Viewpoints Across the Region
The Annapurna Conservation Area offers a remarkable spread of dark vantage points, each with a different character. Poon Hill gives you a 360-degree ridge with the Dhaulagiri and Annapurna I wall to the north. Annapurna Base Camp puts you inside a stone bowl where the sky is a lid of stars. Manang and the Tilicho basin deliver high, dry, windswept plateaus. Khopra Ridge and Mardi Himal offer forested solitude with dramatic peak backdrops. Muktinath, at the arid northern end, pairs sacred architecture with some of the clearest air in Nepal.
Choosing among them depends on your fitness, your camera kit, and how much walking you want between shots. Below we break down the key viewpoints we use most, with altitudes and what makes each one worth the effort. For a broader list of elevated lookouts, see our [best sunrise viewpoints](https://annapurnacircuittreks.com/best-sunrise-viewpoints-annapurna/) – many double as night-sky sites.
Poon Hill (3,210 m) – The Classic Dawn-and-Dark Combo
Poon Hill is the easiest serious dark-sky site in the region. From the trailhead at Nayapul you walk two moderate days through Gurung and Magar villages to Ghorepani at 2,874 m, then a pre-dawn puff up to the 3,210 m viewpoint. Most trekkers come for sunrise, but the same platform is superb after dark: low light pollution, a broad southern horizon, and the Annapurna and Dhaulagiri ranges framing the galactic core as it clears the ridges.
The advantage is logistics. You can shoot the core in the evening, sleep at Ghorepani, then climb again for sunrise – two completely different moods of the same panorama. The [Poon Hill trek package](https://annapurnacircuittreks.com/trip/poon-hill-trek/) is built for exactly this. Bring a sturdy tripod; the viewpoint gets windy, and a flimsy legs will blur your long exposures. Our [Poon Hill trek guide](https://annapurnacircuittreks.com/ghorepani-poon-hill-trek-guide/) has the timings.
Annapurna Base Camp (4,130 m) – The Amphitheatre of Stars
ABC is unique because you sleep inside the mountains. The base camp sits in a natural cirque ringed by Annapurna I (8,091 m), Annapurna South, Machhapuchhre, and Hiunchuli. At night the surrounding walls block ground light and wind, and the sky above becomes a deep, enclosed dome. The galactic core, when placed, pours up out of the notch between Machhapuchhre and Annapurna South like smoke from a chimney.
Altitude is the catch: 4,130 m demands acclimatisation, and you should not rush the climb. We build in rest days and hydrate hard. The [Annapurna Base Camp trek](https://annapurnacircuittreks.com/trip/annapurna-base-camp-trek/) is the route to book, and our [ABC trek guide](https://annapurnacircuittreks.com/annapurna-base-camp-trek-guide/) covers the acclimatisation strategy. Cold is severe – expect minus 10 to minus 15 Celsius at night in autumn – so pack spare batteries and a warm layer you can shoot in. The [Jhinu versus Landruk route](https://annapurnacircuittreks.com/abc-via-jhinu-vs-landruk-route/) lets you add hot-spring recovery on the way out.
Manang and Tilicho – The High Dry Plateau
Manang at 3,540 m is the beating heart of the upper Circuit and one of the driest, clearest spots in the region thanks to its position in the rain shadow. The broad plateau east of the village, and the short walk up to the HRA clinic ridge, gives an open southern and western horizon with almost no obstruction. The thin, dry air here is legendary among photographers, and the village has good lodges for a multi-night stay.
From Manang the [Circuit-with-Tilicho route](https://annapurnacircuittreks.com/annapurna-circuit-with-tilicho-lake-trek/) or the [4×4 drive to Manang and Tilicho](https://annapurnacircuittreks.com/trip/7-days-4×4-drive-manang-tilicho/) reaches Tilicho Lake at 4,949 m, one of the highest large lakes on the planet, where on a still, moonless night the surface can mirror the Milky Way – a photographer’s prize shot. The [Manang and Mustang Circuit guide](https://annapurnacircuittreks.com/manang-mustang-annapurna-circuit-trek-nepal/) and the [acclimatisation strategy for Tilicho and Thorong](https://annapurnacircuittreks.com/acclimatisation-strategy-tilicho-thorong/) explain how to use the plateau safely. From Manang you can also day-hike to [Ice Lake](https://annapurnacircuittreks.com/ice-lake-manang-acclimatization-hike/) for an even higher, more isolated foreground.
Khopra and Mardi Ridges – Forested Solitude
Khopra is a quieter alternative to the busy Circuit, branching off near Ghorepani toward a community-run ridge lodge at 3,660 m. The ridgeline gives a sweeping western view toward Dhaulagiri, and because far fewer trekkers come this way the night feels utterly private. Push on to Khayer Lake at 4,500 m for a sacred alpine tarn beneath the peaks – another reflection opportunity for the patient.
Mardi Himal stays close to the Annapurna crest on a narrow ridge, with a High Camp at around 4,500 m perched on the edge of the world. The southern horizon drops away into cloud and the galactic core rises directly over the Modi Khola valley. Because the trail is short and steep, you gain altitude fast – which means careful acclimatisation on the lower nights. The [Khopra trek package](https://annapurnacircuittreks.com/trip/khopra-trek/) and [Khopra Ridge guide](https://annapurnacircuittreks.com/khopra-ridge-trek-guide/) pair naturally with the [Mardi trek](https://annapurnacircuittreks.com/trip/mardi-trek/) and the [Mardi Himal guide](https://annapurnacircuittreks.com/mardi-himal-trek-guide/) for ridge-based shooting.
Muktinath (3,800 m) and the Kali Gandaki Wind
At the northern, arid end of the Circuit, Muktinath is a Hindu-Buddhist sacred site at 3,800 m where the air is bone dry and the night sky is ferociously clear. The catch is wind: the Kali Gandaki gorge funnels a near-constant breeze that can make long exposures tricky. Shelter behind a stupa or the temple wall, and weigh down your tripod.
The [Muktinath temple guide](https://annapurnacircuittreks.com/muktinath-temple-sacred-site/) explains the cultural side; combine it with the [Thakali culture of the Kali Gandaki](https://annapurnacircuittreks.com/thakali-culture-kali-gandaki/) for context. For a shoot here you will likely arrive via the [Annapurna Circuit trek](https://annapurnacircuittreks.com/trip/annapurna-circuit-trek/) or a 4×4 approach. The dryness means the core is crisp and the zodiacal light before dawn can be dramatic.
Gear for Astrophotography at Altitude
You do not need an observatory setup, but you do need the right core kit. A camera with good high-ISO performance and manual mode is essential – modern APS-C and full-frame bodies all work. A fast wide-angle lens (f/2.8 or faster, 14-24 mm) is the workhorse for capturing the broad arc of the core. A rock-solid tripod is non-negotiable; carbon fibre is lighter for the trek but must be weighted in wind.
Bring spares: at least three batteries (they die fast in the cold), a headlamp with a red mode to preserve night vision, an intervalometer or a camera with built-in interval shooting, and a soft cloth plus a lens bag to fight condensation when you bring the camera into a warm lodge. A small portable charger helps if you are away from power for days. Our [Pokhara gear-rental guide](https://annapurnacircuittreks.com/gear-rental-pokhara-annapurna/) lists what you can hire in town before you leave, and the [trekking packing list](https://annapurnacircuittreks.com/annapurna-trek-packing-list-essentials/) covers the rest.
Camera Settings – The Night-Sky Exposure Triad
Astrophotography lives or dies on three settings. Aperture: open as wide as the lens allows (f/1.4 to f/2.8) to gather maximum light. Shutter speed: the rule of 500 divided by focal length in full-frame equivalent tells you the longest exposure before stars trail – at 14 mm that is roughly 30 seconds; at 24 mm about 20. ISO: start around 3200-6400 and check the histogram; you want bright stars without blowing out the brightest cores.
Focus is manual and set to infinity, then nudged back slightly – autofocus will hunt and fail on a dark sky. Shoot in RAW so you can recover shadow detail later. Bracket a few exposures at different ISOs to find the sweet spot for your sensor’s noise floor. Our [Dhaulagiri and Annapurna I photography guide](https://annapurnacircuittreks.com/photographing-dhaulagiri-annapurna-i/) goes deeper on composition with the big peaks, and the [drone rules](https://annapurnacircuittreks.com/drone-rules-annapurna-photography/) page explains where you legally can and cannot fly.
Focusing in the Dark – The Manual Technique
The hardest skill for a beginner is nailing focus at night. Turn off autofocus. Point the lens at the brightest star or a distant village light, zoom in on live view, and rotate the focus ring until the point of light is as small and sharp as possible. Lock it with gaffer tape if your lens drifts. Then recompose.
If there is no bright reference, use the infinity mark on the barrel as a starting point and fine-tune with a test shot at high ISO and short exposure – you will see immediately whether stars are dots or blobs. Practise this at the lodge before your big night; fumbling focus on a freezing ridge at 2 am wastes your dark window. Patience here separates a usable frame from a blurry one.
Composition – Foregrounds That Make the Shot
A Milky Way photo is only as good as its foreground. The Annapurnas hand you world-class subjects: a chorten silhouette, a teahouse with a single warm window, a string of prayer flags, a frozen lake, or the jagged profile of Machhapuchhre. Place the galactic core so it rises behind or above your subject, and use a torch or headlamp on low to paint the foreground during a separate exposure you later blend.
Light pollution is minimal, but a distant village glow can add a lovely warm rim to a ridge. Compose with the rule of thirds and leave negative space for the core to breathe. The [most-photographed teahouses](https://annapurnacircuittreks.com/most-photographed-teahouses-annapurna/) and [ethical village photography](https://annapurnacircuittreks.com/ethical-village-photography-annapurna/) guides help you shoot people and places respectfully – always ask before lighting up a lodge or a face.
Stacking and Post-Processing Basics
One exposure is rarely enough. The pros shoot a sequence of 10-30 identical frames and stack them in software (Sequator on Windows, Starry Landscape Stacker on Mac, or Siril) to average out noise and reveal faint dust lanes. A separate, shorter exposure of the foreground at lower ISO is blended in later so the land is clean and the sky is deep.
In Lightroom or similar, lift the shadows gently, pull back the highlights on bright stars, and nudge the white balance toward a natural night tone – not lurid purple. Over-saturation is the amateur tell; the real core has subtle colour in its nebulae, which stacking reveals honestly. Keep it believable. If you want to learn the craft on a dedicated trip, our [photography activity](https://annapurnacircuittreks.com/activities/photography/) packages pair you with guides who know the viewpoints.
Cold-Weather Battery and Condensation Management
Cold is the silent killer of night shoots. Lithium batteries lose capacity fast below zero, so keep spares inside your jacket against your body and swap them every hour. Condensation is the other hazard: when you bring a cold camera into a warm lodge, moisture forms on the glass and sensor. Seal the camera in a zip bag before entering and let it warm slowly.
Do not change lenses at the viewpoint in the cold if you can avoid it; if you must, do it inside a jacket or a tent vestibule. Let the gear acclimatise for ten minutes inside the bag before opening it. These small habits protect expensive kit on multi-night shoots. The [winter low-route trekking guide](https://annapurnacircuittreks.com/winter-trekking-annapurna-low-routes/) has more cold-weather tips that translate directly to astrophotography trips.
Light Pollution and Your Footprint on the Trail
Nepal’s electricity has improved dramatically, but the high country remains almost pristine for stargazing. The main glow you will fight is not cities but the occasional lodge generator and the warm windows of your own teahouse. Choose lodges on the edge of a village rather than the centre, and angle your shots away from lit buildings. Pokhara itself has grown, so do not expect dark skies from Lakeside – drive or walk out first; the [Lakeside Pokhara wellness base](https://annapurnacircuittreks.com/lakeside-pokhara-wellness-base/) is where you recover and prep, not where you shoot.
Dark skies are a shared, fragile resource, and a photographer’s own behaviour can either protect or spoil them. Keep your headlamp on red mode and never sweep a white beam across the ridge or a neighbour’s frame. Ask your lodge to switch off the outdoor bulb nearest your shoot position for the hour you are out, and store phones face-down so a lit screen does not bleed across the hillside. On the trail, our guides know which camps keep their outdoor lighting minimal, which matters when you are framing a long exposure over an hour, and the [plastic-reduction guide](https://annapurnacircuittreks.com/reducing-plastic-annapurna-trail/) keeps the wider footprint light.
Combining Trek and Astro – Sample Itineraries
A dedicated night-sky trip usually blends a comfortable walk with two or three targeted dark nights. A classic 7-day version: fly or drive to Pokhara, trek to Ghorepani, shoot Poon Hill on new-moon nights, continue to ABC for the amphitheatre shoot, and descend via Jhinu hot springs. A shorter 3-day escape from Pokhara targets Australian Camp and Dhampus for accessible ridge skies – see the [3-day Annapurna escape](https://annapurnacircuittreks.com/3-day-annapurna-escape-pokhara/).
For the high, dry plateau experience, the [two-week Circuit day-by-day](https://annapurnacircuittreks.com/two-week-annapurna-circuit-day-by-day/) lets you camp Manang and Tilicho in the dark window. We also run custom departures timed to the lunar calendar – tell us your dates and we will reverse-engineer the route. The [10-day plan](https://annapurnacircuittreks.com/10-day-annapurna-plan/) and [one-week itineraries](https://annapurnacircuittreks.com/one-week-annapurna-itineraries/) are flexible starting points.
Reading the Weather – Clouds, Jet Stream, and Valley Wind
Even inside the dry seasons a single poor night is possible, and reading the sky is a skill your guide carries. The Annapurnas sit beneath the subtropical jet stream in winter, but in autumn and spring the upper winds are usually slack, giving the stable, laminar air that astrophotographers crave. The daily pattern is predictable: valleys fill with cloud by late morning and burn off by midday, then re-form after dusk in humid spells – so the clearest window is almost always the pre-dawn hours and the first stretch after dark.
Learn to read the signs. A halo around the moon means thin cirrus and a likely degrade within the night; a sharp, hard-edged moon means clean air. Valley wind rising after midnight often lifts the fog that would otherwise block a low galactic core, which is exactly why some of the best Poon Hill shots happen in the small hours. Our [weather-by-altitude guide](https://annapurnacircuittreks.com/annapurna-weather-by-altitude/) and [best-time overview](https://annapurnacircuittreks.com/best-time-to-trek-annapurna/) explain the seasonal wind and cloud behaviour so you can commit your longest shoots to the right nights.
Star Trails and Time-Lapse Technique
Beyond a single dramatic frame, many visitors love star trails – the concentric arcs a fixed camera paints as Earth rotates. The technique is simple in principle: aim north toward Polaris, lock focus, and fire 100 to 300 sequential 30-second exposures across an hour or two, then stack them so the star dots smear into glowing arcs around the pole. The same frame sequence can be rendered as a time-lapse that reveals the core wheeling above the peaks.
Software such as Sequator or Starry Landscape Stacker handles both star-trail stacking and the noise reduction we discussed earlier, and it is the same toolset used for deep-sky stacks. The only real requirement is a solid, weighted tripod and a fully charged battery pack, because the camera runs continuously for hours. Our [photography activity](https://annapurnacircuittreks.com/activities/photography/) and the [Dhaulagiri and Annapurna I photography guide](https://annapurnacircuittreks.com/photographing-dhaulagiri-annapurna-i/) go further into advanced capture if you want to move beyond the core.
Photographer-Friendly Lodges – Power and Rooftops
Practical comfort decides whether you actually shoot. Look for lodges with reliable solar or mains power to recharge batteries, a flat rooftop or open yard set away from the kitchen’s warm windows, and an early, quiet atmosphere. On the Circuit, Manang and the Tilicho base lodges score well for darkness; on the Poon Hill route, Ghorepani has rooftops but more light, so we position you on the village edge.
Carry a small power bank and ask about charging at dinner – many lodges meter electricity and will top up your batteries for a few rupees. The [teahouse versus camping guide](https://annapurnacircuittreks.com/tea-house-vs-camping-trekking-annapurna/) explains lodge life and what to expect, the [Pokhara gear-rental guide](https://annapurnacircuittreks.com/gear-rental-pokhara-annapurna/) lists spare batteries and tripods you can hire before leaving, and the [packing list](https://annapurnacircuittreks.com/annapurna-trek-packing-list-essentials/) reminds you to pack a headlamp with a red mode so you protect your night vision while moving between room and rooftop.
Ethical and Responsible Night Photography
Dark skies are a fragile resource. Use red-light headlamps to avoid disturbing wildlife and fellow trekkers, never shine lights into lodges or across valleys, and follow the [reducing-plastic-on-the-trail](https://annapurnacircuittreks.com/reducing-plastic-annapurna-trail/) guidance by carrying out every battery and wrapper. Respect sacred sites like Muktinath after dark – photography there should be quiet and unobtrusive.
If you share images of local people or their homes, the [ethical village photography guide](https://annapurnacircuittreks.com/ethical-village-photography-annapurna/) is required reading: ask, credit, and give back. Rolling Adventure Holidays is a local Pokhara operator, and our treks directly support the [communities along the route](https://annapurnacircuittreks.com/annapurna-trek-supports-local-communities/). A great night photo should leave the mountain exactly as you found it.
Planning Your First Astro Trek with a Guide
If this is your first serious night shoot at altitude, travel with a guide who knows the trails blind and can manage the safety side while you concentrate on the camera. We handle permits (the [ACAP and TIMS permits guide](https://annapurnacircuittreks.com/annapurna-trekking-permits-2026/)), lodge bookings, the lunar calendar, and the early starts, and we carry the spare batteries and warm layers you will wish you had at 3 am.
A guided astro trek also means you are never alone on a dark ridge – a real comfort for less experienced walkers. The [do-you-need-a-guide guide](https://annapurnacircuittreks.com/do-you-need-a-guide-annapurna-2026/) and the [why local guides matter](https://annapurnacircuittreks.com/hiring-local-guides-why-it-matters/) explain the deeper value, and the [how to choose an operator](https://annapurnacircuittreks.com/booking-annapurna-trek-how-to-choose-operator/) page helps you book a team that actually knows the viewpoints rather than a generic trekking agency.
Frequently Asked Questions
Do I need an expensive camera for Milky Way shots in Annapurna?
No. Any mirrorless or DSLR body with manual mode and a fast wide-angle lens (f/2.8 or wider) will capture the core. A solid tripod matters more than the camera brand. Phones can record the brightest stars but will not render the dust lanes – bring a real camera for genuine results.
Which month gives the darkest, clearest skies?
October and November, right after the monsoon, offer the most stable, least humid nights and the core is well placed after midnight. March to May is the spring alternative, with rhododendrons below and the core rising earlier each night. Avoid June to September for core work because of cloud.
How high do I have to trek for good astrophotography?
Poon Hill at 3,210 m is accessible and excellent. For the most dramatic, high, dry skies, Manang at 3,540 m and Tilicho at 4,949 m are superb but demand acclimatisation. You can get striking shots as low as Australian Camp near Pokhara if the moon cooperates.
Is it safe to be out on the ridge at night?
Yes with a guide and a planned route. We walk familiar trails, carry headlamps and warm layers, and return to lodges before it gets dangerously cold. The [trek safety and altitude guide](https://annapurnacircuittreks.com/annapurna-trek-safety-altitude/) covers the protocols we follow on every night outing.
Can you time my trip to the new moon?
Absolutely. Rolling Adventure Holidays schedules fixed astro departures around the lunar calendar and also builds custom trips to your dark window. Contact us early – the best new-moon weeks book out months ahead.
Plan Your Annapurna Adventure
The Annapurna region rewards preparation. Rolling Adventure Holidays runs fixed-departure and fully custom Annapurna treks from our Pokhara base – licensed guides, community lodges, and transparent 2026 pricing. Browse our [Annapurna trekking guides & packages](https://annapurnacircuittreks.com/annapurna-trekking-guides-packages/) or talk to a [local expert](https://annapurnacircuittreks.com/contact-us/) before you fly.
*— Rolling Adventure Holidays, Pokhara*